E-books now available at Apple, Kobo, B&N

I'm happy to announce the Uneasy Lies the Crown, A Novel of Owain Glyndwr is now available on iTunes, Nook and Kobo!

A few weeks ago I decided to switch distributors for all of my e-books to Draft2Digital. The transition went very smoothly. A couple of minor hiccups were immediately addressed by D2D's excellent support team and fixed within a day each. I can now view my sales at Apple, Kobo and Barnes & Noble as the occur daily, instead of waiting weeks (months, actually) to see how many I've sold and helps me keep my records organized.

The only downside is that not all of the retailers have made the connection that these are still the same books, even though the books still have the same ISBN (identification) number. So I'm posting my author pages for those retailers here to help readers find the books.

AUTHOR PAGES:

Apple (iTunes)

Barnes & Noble (Nook)

Kobo

Sony

Amazon.com

Amazon.co.uk

Until later,
Gemi

What's next?

A lot of times I get asked the question: "When will your next book be out?" Until recently, I've always had a good estimate for a publication date and a solid book in the pipeline. While it seems like I can churn out a 100,000 word thoroughly researched historical novel in six months (having published six of them in less than three years), the reality is that it took me FIFTEEN YEARS to research, outline, write, re-write, re-re-write and finally publish those six books.

Yes, 15 years. And each one was the equivalent of writing a graduate thesis (I know, because I've done that).

When my kids were younger, I decided one day after seeing the movie Braveheart that I wanted to write an epic historical novel. Well, that one book turned into three and I just kept writing. In between running the kidsters to dance classes, soccer games, track meets and band concerts - not to mention rehabbing two houses and raising the occasional litter of Australian Shepherd puppies - immersing myself in that long ago world was a glorious diversion. I was drawn there. I reveled in it. I felt a part of it.

Now, the kids are gone and I have the house to myself. You might think all this free time would turn me into a writing machine, but I've since figured out that it's living a full life that gives you reason to write. These days, when someone asks me,  "When will your next book be out?, my answer is: "I don't know."

I've been doing some intense navel-gazing the last few months. I started a time travel historical romance, got 40,000 words into it and stalled at the historical section. This isn't so much 'writer's block' as it is just feeling pulled in another direction. Honestly, I'm not sure when  I'll return to writing the research-intense biographical type of historical I'm known for, the main reason being the length of time it takes to actually (and properly) write such a book.

The other reason is simply that I want to explore issues that everyday people can relate to - love, life, loss and hope - without the restrictions imposed by writing in another time period. While the wall behind my desk is covered with letters from readers saying how much they enjoyed my historical fiction, I also know there's a large portion of the population that doesn't read the genre. I feel like there are things I have to say, experiences I want to share, and there are soooo many people I have yet to reach.

Meanwhile, I've been cleaning out the basement, running on the treadmill, thinking about a part-time job, purging filing cabinets and kitchen cupboards, and patiently waiting for spring to arrive so I can tidy up the garden while I ponder what I'll write next. Or whether I'll finally use that college degree and return to teaching and coaching.

A few days ago I wrote the opening to a new story. It's about a dog and the way she enters the lives of several people at just the right time (think A Dog's Purpose or The Art of Racing in the Rain). It was freeing. I'm excited. And it's all unfolding clearly in my imagination. With 25 years of experience training and raising dogs, I have a LOT of real-life stories I can work into the pages of a fiction book.

Having been hung up at this fork in the road for too long now, I'm going to set my feet down on this path and follow it for awhile. I have a feeling that this is the right thing for me to do right now. I sincerely hope many of my readers will follow me. I think you'll be able to relate.

Thanks to all of you for staying with me so long. I'm simply amazed when someone tells me they've read all six of my books. (Where do you find the time?) I really do have the best readers in the world!

Until later,
Gemi

The King Arthur Conspiracy by Simon Andrew Stirling

The greatest benefit of the years I spent on the writing site Authonomy were the talented writers I met during that time. One of those is Simon Andrew Stirling and I'm proud to introduce him here, along with his books, The King Arthur Conspiracy, How a Scottish Prince Became a Mythical Hero and Who Killed William Shakespeare? The Murderer, The Motive, The Means.

Simon writes non-fiction and does it in a narrative style that brings to mind those dramatic voice-overs for movie trailers that grab your attention. He's also not afraid to tackle some of the great questions of history and levy what are not only strong arguments, but which sometimes break with tradition and make very bold statements. Rest assured, his are very scholarly works, backed up by solid resources.

Simon was generous enough to stop by and do a little Q & A for me. As you can see, he really has devoted his life to these subjects:
*****

1) What is the title and genre of your current work and what's it about?

"Who Killed William Shakespeare? The Murderer, The Motive, The Means".  As with my previous publication, "The King Arthur Conspiracy", it was my publisher who came up with this title. All I did was alter three indefinite articles to three definite ones.  Genre-wise, it's historical non-fiction, with some literary criticism and a fair bit of investigative research thrown in.

At one stage I was contemplating a trilogy based on the life of William Shakespeare.  A major turning point in his life seems to have been the events surrounding the notorious Gunpowder Plot - allegedly, an attempt by Catholic militants to blow up the King and his Parliament in 1605 - and this would have formed one third of the trilogy.  Another part would have been taken up with the end of his career, his retirement from the stage, and the strange circumstances surrounding his death.  Finally, to complete the circle, as it were, I'd planned to cover Shakespeare's early life, which would put the rest into context.

In the end, though, I chose to focus on the end of Shakespeare's days but to incorporate much of the remaining material into the book.  Thus, we start with a few chapters analysing his death.  Then we go through his life - and the terrifying events which were being played out in England, and the rest of Europe, at the time - until, in the final chapters, we catch up with his death again.  The last chapter looks at the life of his illegitimate son, who did much to keep the memory of Will Shakespeare alive through difficult times.

2) Where did you get the idea for it?

I grew up near Shakespeare's Stratford.  In fact, I knew Stratford-upon-Avon pretty well long before I knew much about William Shakespeare.  At an early age I got interested in acting, and at school I began to lean towards English Literature.  I studied Eng Lit, Drama and Gaelic Studies at university (briefly) and then went to drama school in London.  Little by little, Shakespeare became quite a big part of my life.  When I became a professional dramatist and scriptwriter, it struck me that it would be useful to know what made Shakespeare tick.  What was it about him that allowed him to become the greatest writer in the English language?  I was particularly intrigued by the character of Lady Macbeth - where did she come from?  So I started to research his life.

One thing that really helped was moving back to Shakespeare country.  Towards the end of the 1990s, I left the city and set up home in rural Worcestershire, where I met my wife Kim (who was born in Stratford).  A little later, my brother opened a shop in Stratford town centre, so I was spending more time there.  Also - and this is a big advantage - I knew a great deal about the area around Stratford.  Most Shakespeare biographers pop up from London, look around Stratford, and then go back.  I've spent most of my life in the areas which Shakespeare knew, and so I'm more aware of the local traditions which most commentators either ignore altogether or don't really understand.

3) How long did it take you to write it, from picking up your first research book to the final product?

Twenty-five years.  On and off, obviously.  But I know that I was 20 or so when I thought, "Wouldn't it be interesting to know what was going on in Shakespeare's life when he wrote "Macbeth", and to figure out where the character of Lady Macbeth came from - was it mid-life crisis? an unhappy love affair?"  That meant researching Shakespeare's life up until the age of 41 or 42, and researching the Gunpowder Plot alongside that.  That took about ten years, after which I began to look a bit more closely at the end of his life, and then his early years, and here I am, about to turn 46 and soon to publish the results of my quest.

Actually writing the manuscript for "Who Killed William Shakespeare?" took seven months.

4) Were there any special challenges with tackling a complex topic like this?  How does it differ from other books on Shakespeare?

One huge challenge (which complicated the first twenty years of research) was this: I found reading - and watching - Shakespeare's work utterly unenjoyable.  Hardly any of it made sense.  Reading or going to see a Shakespeare play, even at the Royal Shakespeare Theatre in Stratford, felt a bit like going to the dentist: unpleasant, and actually quite painful, but good for you in the long run.  It annoyed me intensely, though: here was the best writer, the national poet and an ongoing obsession of mine, and picking my way through his work was like trying to read a foreign language.

Actually, it wasn't quite like that.  I understood the words Shakespeare was using - I just couldn't figure out what he meant when he strung those words together.  The breakthrough came in the mid-2000s, when I started to ask myself: "Could Shakespeare have been Catholic?"  Looking back, it's amazing that I hadn't asked that question before - after all, Shakespeare was closely connected to the gunpowder plotters (who were Catholic), and his main patron grew up a Catholic, and his father had signed a Catholic will, and there are Catholic characters in many of Shakespeare's plays.  The problem, though, is that Catholicism was outlawed in Shakespeare's England.  Catholics were made to suffer horribly - even though, up until the time when Shakespeare's father was a boy, everybody in the country had been Catholic.

Researching Catholicism in Shakespeare's England, and the appalling suffering of the Catholics, proved to be the key.  Suddenly, plays which had meant nothing before became enormously meaningful.  They also became angry, painful, horrifying.  Most of all, though, I could read them for pleasure.  The old problem of not being able to understand and enjoy Shakespeare had gone.

But that's not all.  My access to the local traditions concerning Shakespeare had alerted me to a story, told by a Victorian clergyman, regarding Shakespeare's skull.  It's not where you might think it is.  I tracked down a journalist who had photographed the skull.  By painstakingly comparing the skull with various images of Shakespeare - including the most famous portraits, and a death mask, now in Germany, which many English Shakespeare experts refuse even to talk about - I realised that this was Shakespeare's skull.  The injuries inflicted are visible, not just on the skull but on the portraiture too.  Those injuries tell us how Shakespeare died.

So what makes this book different?  Well, it jettisons the old-fashioned nonsense (still pretty widespread) that Shakespeare was a humble, conforming, petit bourgeois Protestant - a man so self-effacing that he could die without anybody noticing - and puts his work squarely in the context of his times.  It draws on local traditions, unknown to or ignored by most of his biographers, and follows them up to reveal some startling facts about his life.  And it demonstrates, forensically, how he died, as well as explaining (to the best of my ability) why he was "stopped".

And it does all that in about 100,000 words - so the whole thing moves at a pretty good pace!

5) What other books do you have available and what are you working on next?

"The King Arthur Conspiracy: How a Scottish Prince became a Mythical Hero" was published last summer by The History Press.  That was my first major venture into publishing, and it took me about eight years to get from stumbling across a historical reference to the genuine Arthur to seeing my book in print.  I'm now following up on that research.  Late last year I put together an academic paper which focused on Arthur's last battle (in Scotland) and uncovered some new trails.  Moon Books have now offered me the chance to publish a chapter a month, online, of my work-in-progress, which I'm calling "The Grail: Relic of an Ancient Religion".  The first chapter should be up on the Moon Books website in a few weeks, and hopefully we'll keep publishing a monthly chapter online until the book is complete.  This will take about twelve months, and then the whole thing will be published in paperback by Moon Books.  This is a new way of working for me, and I'm already finding it a fascinating challenge.  Fortunately, I've got an artist who lives in the same village as me who's keen to create a unique image to go with each of the chapters, and there's a post-graduate student in New Mexico with whom I've been working on projects relating to the Grail legends for more than a year now, and he's great and providing useful and thought-provoking feedback.  So, all in all, I'm hopeful that "The Grail" will be a fine addition to my ongoing work on the origins of the legendary Arthur and the early history of Britain.  Better still, anyone who wants to will be able to follow the progress of the book, one chapter at a time, just by going to the Moon Books website (http://www.moon-books.net).  How about that?

*****

Thanks for stopping by, Simon!

Other useful links:

"The King Arthur Conspiracy" on Amazon.com

"Who Killed William Shakespeare?" on Amazon.com (release date 1August 2013) 

 
Simon Andrew Stirling Author Page on Amazon

Simon Andrew Stirling blog:
http://www.artandwill.blogspot.co.uk/

The King Arthur Conspiracy facebookpage 

Happy Reading,

Gemi 

What to Read?

One thing I love to do is share about books I've read that have left an impression on me. Ever since I got my first Kindle, almost two years ago, I've come across more wonderful stories than I could ever imagine. So here are just a few titles you can check out!

#1 - Wool, Omnibus Edition, by Hugh Howey


"This is the story of mankind clawing for survival, of mankind on the edge. The world outside has grown unkind, the view of it limited, talk of it forbidden. But there are always those who hope, who dream. These are the dangerous people, the residents who infect others with their optimism. Their punishment is simple. They are given the very thing they profess to want: They are allowed outside."

~~~ Still not sure? Grab the first installment for FREE!

 Hugh Howey is just one recent self-publishing phenomenon. Here's a New Adult novel from another:


#2 - Hopeless, by Colleen Hoover

"Sometimes discovering the truth can leave you more hopeless than believing the lies...

That's what Sky realizes after she meets Dean Holder. A guy with a reputation that rivals her own and an uncanny ability to invoke feelings in her she's never had before. He terrifies her and captivates her all in the span of one encounter, and something about the way he makes her feel sparks buried memories from a past she wishes could just stay buried."

~~~ If you like Young Adult novels, but prefer something a little more . . . 'adult', this one has a lot of raw, gripping emotion. (*Contains some sex and violence. You have been warned. Still, great story and worth considering.)


#3 - Out of Time, by Deborah Truscott

"Kathleen Findlay is married to a cad, her mother is driving her crazy and her life is falling apart. Then her uncle dies, leaving her the family’s Revolutionary-era home and, she believes, an escape from her chaotic marriage. But one afternoon, while searching for a rake, she discovers a man in her garden shed — and a free fall through the centuries.

As her life spins wildly out of control, Kathleen finds her heart and in the process, her own place in time."

~~~ A sweet time-travel romance that has me eagerly awaiting the sequel.


#4 - When You Were Older, by Catherine Ryan Hyde

"Russell Ammiano works on the 104th floor of the World Trade Center. On the morning of September 11, 2001, the phone rings while Rusty is rushing to work. The news is devastating: Rusty's mother has died of a stroke, leaving his brain-damaged older brother Ben alone. This news also saves Rusty's life. He's still at home when two planes hit the World Trade Center--and only one of his friends and colleagues survives. In a single day, the life Rusty built in New York crumbles to the ground."

~~~ Loved, loved, LOVED this book. I never knew what was going to happen and there were several surprises along the way that kept me flipping the pages. There's a growing love story in this one, hindered by the misunderstanding of cultures post 9/11.


#5 - The Snow Child, by Eowyn Ivey

"Alaska, 1920: a brutal place to homestead, and especially tough for recent arrivals Jack and Mabel. Childless, they are drifting apart--he breaking under the weight of the work of the farm; she crumbling from loneliness and despair. In a moment of levity during the season's first snowfall, they build a child out of snow. The next morning the snow child is gone--but they glimpse a young, blonde-haired girl running through the trees."

~~~ At times bleak and filled with desperation, there is a glimmer of hope in this beautifully written tale. This is the kind of book that wins awards.

*****
~~~ Thanks to everyone who trailed along on my virtual blog tour for Uneasy Lies the Crown. I want to thank all my tour stop hosts and Goddess Fish Promotions for their work in making it happen. I'll be picking winners of the giveaway in the next few days and notifying them via e-mail.

Happy reading,
Gemi

Blurb Blitz Tour for Uneasy Lies the Crown

Join me January 14th through the 25th on a Virtual Blurb Blitz Tour for a chance to win an Amazon gift certificate! Simply stop in at any of the following blogs during the tour and leave a comment regarding Uneasy Lies the Crown, A Novel of Owain Glyndwr:

January 14:  My Devotional Thoughts
January 15:  The Bunny's Review
January 15:  STOP 2  Welcome to My World of Dreams
January 16:  Oh, Chrys!
January 17:  Uplifting Reads
January 18:  Long and Short Reviews
January 21:  Books Are Magic
January 22:  Christine Young Romance Writer
January 23:  Lisa Haselton's Reviews and Interviews
January 24:  It's Raining Books
January 25:  Hazel West'sCharacter Purgatory

 Until later,

Gemi

Royalist Rebel by Anita Seymour

Please welcome my good friend and one of my first crit partners (who taught me so much!), author Anita Seymour, who also writes as Anita Davison. On January 17th, Anita's new book, Royalist Rebel by Claymore Books, an imprint of Pen and Sword, will be released.


If you like historicals set during the English Civil War, here's some more information on Anita's novel for you:
~~~~~
"Intelligent, witty and beautiful, Elizabeth Murray wasn’t born noble; her family’s fortunes came from her Scottish father’s boyhood friendship with King Charles. As the heir to Ham House, their mansion on the Thames near Richmond, Elizabeth was always destined for greater things.

Royalist Rebel is the story of Elizabeth’s youth during the English Civil War, of a determined and passionate young woman dedicated to Ham House, the Royalist cause and the three men in her life; her father William Murray, son of a minister who rose to become King Charles’ friend and confidant, the rich baronet Lionel Tollemache, her husband of twenty years who adored her and John Maitland, Duke of Lauderdale, Charles II’s favourite.

With William Murray at King Charles’ exiled court in Oxford, the five Murray women have to cope alone. Crippled by fines for their Royalist sympathies, and besieged by the Surrey Sequestration Committee, Elizabeth must find a wealthy, non-political husband to save herself, her sisters, and their inheritance."
~~~~~

To find out more, follow these links:

For a little background on the novel, see Anita’s Book Blog


Pen and Sword Books

The National Trust Website of Elizabeth Murray’s former home, Ham House, at Petersham near Richmond, Surrey

Anita’s Blog

Happy reading,
Gemi

New look, same book

I've wanted to give Isabeau a makeover for ages and finally did it! Actually, the mega talented Steven Novak , illustrator and cover artist extraordinaire, did it.

I sent him the synopsis, a very brief description of Queen Isabella and we batted around a few ideas. He came up with this concept on the first try. A few tweaks later and I had a stunning new cover that is more consistent in its layout with the sequel, The King Must Die. I couldn't be happier!

So for those of you who momentarily exclaimed, "What? Another new book already?!" Uh, sorry, but no. Just a new cover. I still need to upload the updated files to the printer for the paperback version, but the changes have already been made for the e-book on Amazon and other retailers.

As for what I'm working on for my next book... let me just say to expect something a little 'different'.

Until later,
Gemi